50x50 cm.

The tree born from the seeds of hatred, will always give poisoned fruits.

70x105 cm.

Everything is the result of the vibrations of the energies of the universe, the heart beating of God.

50x50 cm.

A play on words that reveals the fundamental importance that this sentiment has in our lives. Love cannot be measured in terms of time, but in terms of quality and intensity.
Only those who decide to use their hearts can stop time, which is represented by the 60 numbers (1 minute or 1 hour) inside the top half of the hour-glass, and so give back form and completeness to their being.

90x70 cm.

This is the “self-portrait” of the artist, describing his journey. The progressive detachment from Planet Earth, which is represented as a sphere of red bricks, (a wall) leads him to a higher level of awareness and to reach his spiritual sphere among the energies of the Universe, symbolically represented by the rose window of a Gothic church. The two constellations are Pisces and Aquarium, the zodiac signs of this era.

70x100 cm.

The artist’s role is to use his work to communicate a new spiritual and cultural vision to the audience of humanity. The figure, whose shadow is holding a key in its left hand, is the artist himself: through his message he is recreating the connection between man and universal energy.

100x70 cm.

The seed of art, represented by the artist himself enclosed in a fetal position within the falling droplet, is the moment of the discovery of awareness and spirituality, the true starting point of humanity.

100x100 cm.

We are living at the same time in different levels of the consciousness. Time and space are melted, like the invisible particles of the UniverSe.

100x70 cm.

 This small figure walks along barbed wire stretched between a heart and a brain above a claustrophobic city. It isn’t always easy to let our heart show us the way because we are always struggling between reason and sentiment, between expectations and disappointment, between success and defeat, but the alternative to taking risks is immobility and the resulting unhappiness. We can only find ourselves if we rise above the chaos and the flatness...and maybe then we will discover that falling actually means flying…

110x80 cm.

 Planet Earth built with bricks reveals a small opening through which you can glimpse somebody’s eye, but this eye represents all of us since we alone are the creators of our “destinies”. It is therefore up to us to choose whether to see this world as a place we have locked ourselves in through fear, actually isolating ourselves, or as a moment when we rediscover true spirituality and wisdom, as represented by the key lifted up by the balloon (a symbol of freedom but also of fragility) that is floating towards a brain with a lock that opens the doors to reason.We can only find ourselves if we rise above the chaos and the flatness...and maybe then we will discover that falling actually means flying…

65x110 cm.

The roots of a tree that gives form and life to a human being, and trees that get form and life from a human being’s venous system. Only if we are aware can we see the connection between us and all that surrounds us. If we trace an imaginary line between the 2 hearts and the trees with roots, we get the symbol of infinity.

100x70 cm.

A monkey with 6 paws and a human skull is sitting on a brain: his own brain. The legendary “3 Wise Monkeys” enclosed in a single one, symbolizing the attitude of most of humanity, who would let the world around them collapse rather than make decisions. The drops of blood are arranged like the stars that make up the constellation of Pisces, the era we are living in. The fly, which in all Renaissance art represented evil, is feeding on that blood, which still flows today thanks to our indifference. History has taught us nothing and we tend to forget very quickly. We are a humanity suffering from Alzheimer’s.

55x43 cm.

The strongest has the responsibility to drive the world in the safe direction, not matter of the ideology, faith or skin color. 
We can be far but we all breathe the same sky.

70x140 cm.

Since I was a child, the masterpieces of the past have fascinated me for their beauty and expressive strength, and today they are undoubtedly an important source of inspiration for me. The masterpiece painted by Pellizza da Volpedo entitled "The fourth state" is one of them. The author depicts the slow, calm but inexorable advance of the working class towards a new social goal and new conquests, it was the 1901. In my painting entitled "The first state" ,instead, I wanted to give voice to the primordial power of nature replacing people with elephants, which are made up of thousands and thousands of small butterflies, visible only if you get very close to the artwork. I liked the idea of symbolizing the fragility of appearance, where a small change, in this case a gust of wind, would make elephants dissolve in a flight of butterflies. But I also wanted to emphasize the importance of the individual in creating and realizing a common dream, be it a family, a group or a society.